Tales of the Damned. What is it? It’s my latest work in progress, and it’ll be a finely crafted collection of short horror tales.
For me it represents a deviation from the norm—full-length dark fiction. For the last seven or so years, I’ve written mainly full-length novels across multiple genres: horror, psychological thriller, supernatural thriller, thriller, paranormal, sci-fi, post-apocalyptic or dystopian fiction; even a foray into inspirational fiction.
Why a collection of short horror tales? Call it an experiment in form and structure, call it intellectual curiosity, call it whatever you want but for me it represents an opportunity to try something different. Something new.
I like the idea for a number of reasons. Recently I did a little Twitter poll in an attempt to try and determine the level of interest in short horror tales. To my surprise, the response was overwhelming. It’s no secret that global sales of short fiction and short horror tales are going strong. There are many talented short horror story writers in the Twitter #writingcommunity and I certainly see a strong demand.
In today’s complicated world, books compete with so many other things for people’s attention: gaming, YouTube, Facebook, TV, Twitter, the labyrinth of information on the internet, and dozens of other social media platforms—not to mention the myriad of other distractions, tasks, and problems that are just a part of living.
People lead busy, often stressful lives. It’s often easier for them to read short stories than full-length novels. Waiting in the doctor’s waiting room, they can get through one or more stories and not have to worry about losing the thread if, heaven forbid, a distraction prevents them from revisiting it again for another week or two.
The timing is also excellent. Being that it’s summer and summer is short on Prince Edward Island, I can create a story and, depending on word length, probably knock the first draft out in one sitting before escaping outside to enjoy the glorious summer weather. And, of course, there are my outdoor projects and my outdoor pets to attend to.
When I start a full-length novel, I usually write for about five to six hours a day, six days a week until I get the first draft completed. By writing consistently I stay with the thread and, at least to my mind, it makes for a more powerful and better flowing read.
Tales of the Damned (a working title that may change) will contain at least thirteen short horror tales, examining everything from real-life ghostly encounters; actual horrifying nightmares; and completely fictional yarns that will be the product of a dark and twisted imagination.
I’m only half way through the first entry but can already feel the creative juices generating other story ideas. When I write in a particular genre, I generally also read a lot in that genre. I’ve plowed through dozens of short horror tales in an effort to learn something about structure and form.
I generally have a lot of backstory in my novels which I try to weave into the narrative in bits and pieces as opposed to laying it all out at once in one big info dump. I also use a lot of internal dialogue to give readers a really clear idea of what motivates my characters to behave in often erratic, unstable, and unpredictable ways.
But in Tales of the Damned, I won’t have time for a lot of backstory or internal dialogue. The challenge will be to say more with less—much less.
It’s a dynamic form with limitless possibilities.
As British author William Boyd, says, Short stories “seem to answer something very deep in our nature as if, for the duration of its telling, something special has been created, some essence of our experience extrapolated, some temporary sense has been made of our common, turbulent journey towards the grave and oblivion.”
Stay tuned for updates on Tales of the Damned. As always, thanks for stopping by.